The more horrifying this world becomes… the more art becomes abstract.
The morning internet meander, skipping through a series of website/blog/social media links; I’m stopped in my tracks reading this quote.
You see just prior I’d been shocked at the horror (and beauty) of the photos from today’s wild bushfires in Northern California on CNN. My heart ached for the loss of acres of natural and man made landscapes, and sadly, lives. I was taking it all in; choosing to feel it for as long as I could, before I noticed there was a click, a change of screen, and a seeking of serenity. A counter balance to the viewed horrors and increasing sense of heart pain.
This came in the form of researching some of the artists introduced to me yesterday via the recent post Finding the Forgotten Note from Slow Muse blog by Deborah Barlow. One of my favourites. Abstract artists like: Agnes Martin, Park Seo-bo, Martin Puryear, G. R. Santosh, Okada Kenzo and Zhan Wang currently featured at the Boston MFA (Museum of Fine Art) exhibition Seeking Stillness.
The curator’s statement:
Artists help us see and make sense of our world. Many, in this divisive moment, have engaged directly and powerfully with the social and political issues of our age. No less powerful or relevant, however, are the works that can lead us beyond the unsettled present: to places of respite, contemplation, transcendence, stillness.
So it has been in my own art practice this year as I have felt an increasing movement towards less and less; a minimal reductive abstract expression emerging, which brings me solace. Perhaps it is the inner seeking of a counter balance, a transformation into stillness, or just simple “relief ” sometimes, from the overwhelming disturbing ‘going ons’ felt and seen in our world at this time.
Acknowledgement and Gratitude
Curator’s statement from recent post Finding the Forgotten Note from Slow Muse blog
Image – Feigenbaum (Fig Tree) by Paul Klee from Museoman
Image – Ecriture by Park Seo-bo from Artsy