untitled 66cms diameter pen on paper 2015 melinda blair paterson
At the beginning of this year, during the Australian summer, I found it too hot in the studio for my art practice, located in a shipping container on the property where I live. So I switched to a cooler location, ie my desk in the cabin, and began creating spontaneous small pen and pencil drawings, whilst listening to Rupert Spira’s meditations ‘The Light of Pure Knowing’. The intention was to let the hand have it’s way, put the mind on pause, and see what comes!
Some of these drawings I have shared with you on this blog over the past six months. Each one bringing forth a sense of delight and love for me in the making, and a feeling of returning to, or reconnecting with, a more intuitive process in my artistic expression. More recently I’ve noticed the ‘almost daily’ practice began to disappear. The pull to the desk dissolved. So I waited.
With the summer months rolling over into winter, I knew the weather conditions for studio practice were returning. However, another factor I must take into account is rain. You see if it’s raining I can’t go into the studio either, as the only access to light is by opening the container doors wide open. It provides a wonderful vista down the valley but not ideal for trying to keep artwork moisture or mould free. So with a week of wet weather approaching I decided to bring an easel, pin board, a large piece of paper into my tiny cabin, and ‘up scale’ my drawing practice.
Yes, it was a bit squeezy at home, but when you live on your own, it’s the kind of thing you can do. It’s also one of my favourite things… to be tucked up in the cabin creating when it’s wild, wet and windy outside. Bliss!
The above image is the piece created in that week. A drawing of spontaneous mark-making influenced by, and drawn from, the series of smaller drawings created over the past six months. It remains untitled and without colour, as I am unsure about either at this time. So I wait.