pearl presence

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blue pearls – mbpblue designs – 2016

The putting down and resting of the paint brush last year, was subsequently followed by an exploration of ‘making’, which opened a number of new creative expressions here. One of which became a love of playing with the simplicity of pearls, in particular, blue pearls. I’m fascinated by their shape, colour, lustre, and of course, beauty. I prefer freshwater pearls as each one brings its own unique signature.

I purchase my pearls from a local bead shop, Trinkets, in Byron Bay. It’s one of those shops which is set back from a busy main street, with a somewhat dark narrow doorway. Entering, is like walking into a shop from an ancient bazaar, there is an explosion on the senses with floor to ceiling colour in beads and jewellery making materials from around the world. The pearls are right down the back, seemingly forgotten, in the current fashion of colour. Here I stand fossicking away in the corner, rummaging through bowls and strands of freshwater pearls, picking over each one to see if it meets my sense of beauty, collecting a few special ones, and then happily bringing them home to ponder and play.

I find myself creating designs that resonate with my natural aesthetic for minimalist simplicity. Of course there are the usual designs of balanced placement with a central pearl, accompanied by smaller seed pearls each side. However, being an abstract artist who’s into awareness, I couldn’t help but create designs that felt different and off-centre, helping move the mind and eye in a way that encourages internal inquiry… together with a sense of beauty.

I’ve particularly enjoyed selling the mbpblue abstract designs, and have had some lovely feedback from a customer in the United States, who said she consciously challenged herself to go with something different. Yeah… go girl… that’s the spirit!

The current range of blue pearls is small and select. They quietly sit in my online store being viewed and favoured by Etsy shoppers each day. Occasionally one is sold and I’m encouraged to pop back into the bazaar, rummage through the bowls, and wonder at the individuality of each freshwater pearl made from Mother Nature’s mastery. Moments are lost in the back corner of this little shop. Perhaps due to the simplicity and beauty of ‘pearl presence’.

Mx

 

 

having apparently forgotten

having apparently forgotten your true nature - pen and pencil - 29apr15 - words from Rupert Spira - drawing by Melinda Blair Paterson - 29apr15
having apparently forgotten your true nature – pen and pencil – 29apr15 – words from Rupert Spira – drawing by Melinda Blair Paterson

Some days seem to be full of pointers, don’t they? Today’s pointers were – remember and return to the truth of ‘who you are’.

My early morning was spent catching up on some emails and blogs, one of which is Dhamma Footsteps by Tiramit. It’s a wonderful series of postcards from a Scotsman living overseas in various parts of Asia. His awareness and sharing of the ordinariness of life brings a smile to heart. So I like to wait until I have the space, quiet and presence to read his latest post, which inevitably opens me into a new moment, an other world, and an awareness of life so richly immediate.

Today’s post ‘return to go’ was a sharing of being aware, being busy, being aware of being busy, and remembering to, as they say in the Monopoly game, return to go. Also beautifully pointed to by Tiramit in this poem from Liu Wemin:

To be able to be unhurried when hurried;
To be able not to slack off when relaxed;
To be able not to be frightened
And at a loss for what to do,
When frightened and at a loss;
This is the learning that returns us
To our natural state and transforms our lives.
[Liu Wemin, 16th Century]

The day moved forward and by late morning I was sitting at my desk with pen and pencils in hand drawing whilst listening to Rupert Spira’s meditations – The light of pure knowing. As usual, I just let Rupert’s words and guidance wash over me as I disappear into my world of ‘contemplative doodling’, staying open to a line or two that may drop into awareness. Sure enough. The line dropped in: … having apparently forgotten your true nature. And I knew this would become the title of today’s drawing. A beautiful pointer to remembering to stop, drop in, and acknowledge the ‘true nature’.

Thanks to Today, Tiramit and Rupert… Mx

a circular nature

allow your mind to go to the forms, but allow your heart to remain in pure knowing- Melinda Blair Paterson

allow your mind to go to the forms, but allow your heart to remain in pure knowing – pen and pencil – 10mar15

we may go out into the world, but we never leave ourself

we may go out into the world, but we never leave ourself – pen and pencil – 18mar15

You, are that which is Aware of experience - Melinda Blair Paterson

You, are that which is Aware of experience – pen and pencil – 19mar15

the thought that was present two seconds ago has now disappeared - Melinda Blair Paterson

the thought that was present two seconds ago has now disappeared – pen and pencil – 27mar15

nothing prior, nothing after it, just vast spaces either side - Melinda Blair Paterson

nothing prior, nothing after it, just vast spaces either side – pen and pencil – 28mar15

getting back in the game - Melinda Blair Paterson

getting back in the game – pen and pencil – 07apr15

All drawing by Melinda Blair Paterson
Titles from words by Rupert Spira (except ‘getting back in the game’)

These recent works from my ‘contemplative doodling’ series seem to offer a theme of a circular nature. Mostly created whilst listening to Rupert Spira’s meditations, The light of pure knowing, and more recently my own internal musings. The life of an artist, especially for one with a strong intuitive pulse or inner compass as experienced here, is a constant source of wonder. Why is it I can just let the hand and pen have its way, or trust whatever chooses the next colour pencil; and who knows when the work is done? It’s all a mystery to the ‘me’ and a joy to the unknown. 🙂 Mx

Sahaja

‘Sahaja’ is a sanskrit word for ‘innate’ or ‘born with’.

A selection of recent works created with layers of acrylic paint,
poured onto white backgrounds.

sahaja earth   120x120cms   acrylic on canvas   2014   melinda blair paterson

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Sahaja …
humbly borrowed from a beautiful language
quietly slipped into the title
lovingly pointing the viewer to look
from whence they came

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Sahaja Peace   100x100cms   acrylic on canvas   2014   Melinda Blair Patersonsahaja peace   100x100cms   acrylic on canvas   2014   melinda blair paterson

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Sahaja…
swirling inward to a watery rest
falling on the breast of unknown
always calling the wanderer home
if she will only listen

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Sahaja Sound  90x90cms  acrylic on canvas  2014  Melinda Blair Paterson sahaja sound   90x90cms   acrylic on canvas   2014   melinda blair paterson

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Sahaja…
your sound rolls through like distant thunder
parting my lips and heart to allow
the exhale of your tone and warning
guiding the lover home

Mx

2 + 2 = 4 or not?

A photo essay on 2 + 2 = 4 or not?

All images were taken on my 4s iPhone and app’d through framestastic and instagram. Mx

studio language
studio language
beach heart leaf - melinda blair paterson
beach heart leaf
beach blue - melinda blair paterson
beach blues
watch out for penguins - melinda blair paterson
watch out for penguins 🙂
beach hip - melinda blair paterson
beach hipster
beach balloons - melinda blair paterson
beach balloons
pink coral sand
pink coral sand
stingray love
stingray love
Bali steps - melinda blair paterson
bali steps